Hi Friends -- a last-minute show has just been added to the schedule.
We hope you can make it!

FRANK LONDON BAND // LJOVA AND THE KONTRABAND double bill
January 8 at 8pm at MEHANATA (a.k.a. The Bulgarian Bar)
113 Ludlow Street, bet. Delancey & Rivington
Subway: F/J/M/Z to Delancey, V to 2nd Avenue
New York City
Tickets: $10 at the door

see you there!

Ljova was recently profiled on NPR's radio program All Things Considered, in the segment Musicians in Their Own Words. The interview focuses on inspiration for several of Ljova's compositions, relationship to the viola and tradition, and the art of "phoning it in".

Listen to the story -- Ljova: Giving the Viola a Chance.

In November, Ljova had the privilege of arranging orchestral music for the "Person of the Year" evening honoring Gloria Estefan, produced by Phil Ramone, featuring performances by the Philharmonic Orchestra of Americas with Alondra de la Parra, and special guests John Legend (pictured above), Patti Labelle, Jose Feliciano, Santana, Kenny G The Miami Sound Machine and others. See the slideshow.

MNEMOSYNE, the debut release by Ljova and the Kontraband, featuring guest apperances by Frank London, William Schimmel, Uli Geissendoerfer, Marcus Rojas, and Alon Yavnai, was released on September 28th, with a special performance at Joe's Pub, in New York.

For reviews, soundclips, and track listing, visit http://www.Ljova.com/mnemosyne

Get your copy of the CD via:
[CDBaby] [iTunes] [Amazon.com]

Thank you all!

The acclaimed new string quartet Brooklyn Rider has recorded two of Ljova's compositions, "Plume" and "Crosstown", for their debut CD release, "Passport". You can get a copy at their website or on iTunes.

At the same time, Brooklyn Rider recorded a new Ljova arrangement of "Parvaz" by Kayhan Kalhor, on their World Village debut release, "Silent City", which also features the title track, co-arranged by Ljova and Kayhan Kalhor. The CD itself comes out in September, but you can download the mp3s on Amazon and iTunes.

In January 2008, Ljova acquired a new 6-string acoustic instrument, built by Eric Aceto. It has the sounding range of the violin, the viola, and most of the cello, all in a package slightly larger than a violin.

Between January 26 and May 31, Ljova's friends and fans contributed names on his blog; now you get to vote on your favorites! Author of the best submission will win autographed CDs, as well as Ljova's gratitude.

Voting ended on August 31st -- and the winner is -- FAMIOLA.
Thank you to all who voted!
(For sound samples, see here.)

LJOVA AND THE KONTRABAND in collaboration with FREEFALL DANCE present

LIE, LAY, LAID

June 12-15, 2008
Joyce Theater Soho - walkerspace
[more info] [review]

"In an exuberant show that went on for well over their allotted hour onstage, the group blended fiery gypsy dances, rustically melancholy songs without words, intricately and imaginatively arranged jazz and potently crescendoing classical melodies, often in the same song... This concert was exhilarating, transcendent, a blast."

-- Lucid Culture blog, reviewing a performance by Ljova and the Kontraband at Trinity Church on May 8th.
[read the entire review] [watch "Plume"] [watch the entire webcast]

Ljova and the Kontraband return to Manhattan with a performance on May 10th at DROM. Buy tickets in advance without service charge, and save $5 vs. paying at the door.
[More info] [Tickets] [Facebook Event Page]

"CUPCAKE", a short film starring Kinna McInroe and directed by Sean McPhillips, will debut at the 2008 Tribeca Film Festival on April 25th.

The film features an original score by Ljova, performed by his group Ljova and the Kontraband with special guests Alon Yavnai on piano, and Marcus Rojas on tuba.

The film also features a special appearance by Ljova's wife, the vocalist Inna Barmash, who sings on the end-title song written especially for this project. You can hear it on MySpace and ReverbNation.

- In the era of hybrid everything, Ljova is practicing on a new instrument -- a 6-string hybrid made by Eric Aceto. It doesn't yet have a name -- hence, we're running a baby-naming contest. See more pictures, hear samples, and win free CDs for your help in the contest -- give it your best shot -- entries accepted until May 31.

- Ljova & the Vjola Contraband = Ljova and the Kontraband.
We've decided to shorten our name in the hope that now it will actually fit on a marquee. It's bound to be a little confusing as we try to rename our web presence and materials, so please hold tight. Same band, same ever-changing repertoire.

- We've posted a new video from our January 2008 show at Joe's Pub, and the Brooklyn Rider's have posted several more from their set - enjoy!

- Ljova & Inna went to Moscow in January to visit the Winnie "The Pooh" Sanders (pictured above), whose honeyed addiction sounds eerily like that of an alcoholic .. and also to celebrate Ljova's parents' 30th anniversary - congratulations to them! View our Moscow pictures.

- Ljova's music was featured on Delta Air Lines flights in January and February. Chose your airline wisely. (Delta flyers - Ljova's debut CD, Vjola: World on Four Strings, can be obtained here.)

Last but not least, a semi-anonymous snapshot of CURRENT PROJECTS:
-- mixing the debut recording of Ljova & the Kontraband
-- original score for a short animated film (with live orchestra!)
-- arrangements for a short-subject film by Michel Gondry
-- practicing!

Ljova & the Vjola Contraband are featured in this week's edition of New York Magazine, in an article by Justin Davidson profiling several developments in New York's indie-classical scene. Read The Next Next Wave online.

Thank you to all who came out to the LJOVA AND THE VJOLA CONTRABAND performance with the BROOKLYN RIDER quartet at Joe's Pub! We had a great time, and will post some videos shortly.

Our next show in Manhattan is on May 10th, at the DROM

Thank you again!
--Ljova

Youth Without Youth, writer/director Francis Ford Coppola's first film in 10 years, opens in select US cities on December 14th. Based on a novella by the Romanian author Mircea Eliade, the film is "a love story wrapped in a mystery. Set in Europe before WWII, a timid professor is changed by a cataclysmic event and explores the mysteries of life."

The film features original music by Osvaldo Golijov, with additional orchestrations by Ljova. Moreover, Ljova's composition "Middle Village" (originally available on Ljova's debut CD), was re-recorded especially for Youth Without Youth, featuring Ljova on viola, and Hungarian cymbalom virtuoso, Kálmán Balogh!

(The song "Middle Village", with new lyrics by Sarah Gancher, will appear on the upcoming CD by Ljova & the Vjola Contraband and featuring Ljova's wife, the vocalist Inna Barmash, slated for release in spring/summer 2008. While you wait, there is a video of a live performance, here.)

YOUTH WITHOUT YOUTH links:
-- Main IMDb page with cast and crew info
-- Showtimes in your area
-- Trailers
-- the Soundtrack CD is available for sale on Amazon.com

Enjoy the film!

(FFC, Osvaldo Golijov, Anahid Nazarian, Ljova, and most of the music recording team.)

Inna & Ljova are back from honeymoon, and here are all the pictures.
(Wedding pictures are coming - soon.)

Honeymoon in: Stockholm Latvia Lithuania - Vilnius Lithuania - Kaunas Lithuania - Trakai Warsaw Budapest Croatia - Split Croatia - Korcula Croatia - Dubrovnik Venice

Inna and Ljova were married on August 12!

more pictures and videos are surely to come!
(This pic of Inna + Ljova & the Musicians, ©2007 by Jean Barmash)

The Inna and Ljova pre-wedding spectacular, at Joe's Pub.

Join LJOVA AND THE VJOLA CONTRABAND on our upcoming shows:

==> Watch Ljova and the Vjola Contraband videos on YouTube

(Ljova's portrait by ©Bill Wadman)

THE EDGE: Swinging Violas
by Alexander Gelfand
Jazziz Magazine (April 2007)

...This past January, the Russian-born, New York City-based violist Ljova and his Vjola Contraband drew a full house at Joe's Pub in Manhattan, forcing fans to stand three-deep at the room's swanky, dimly lit bar. Rarely have I seen so many young, attractive people pay to hear a band with no less than two violists not to mention an accordion player, an acoustic bassist, and a percussionist who bears a striking resemblance to Sideshow Bob. Yet there they were in astonishing numbers, knocking back $10 cocktails and whooping it up at the end of every tune.

Ljova, otherwise known as Lev Zhurbin, was born in Moscow in 1978 and emigrated to the States in 1990 with his parents, the composer Alexander Zhurbin and the writer Irena Ginzburg. He graduated from Juilliard and immediately took off in all directions. He has written music for folk, jazz, and classical ensembles; has arranged world-music material for marquee groups such as the Kronos Quartet and Yo-Yo Ma's Silk Road Ensemble; has composed music for film; and, with his fellow composers Ronen Landa and Jonathan Zalben, co-founded Mediant Music, a commercial-music production company that has worked on projects for the likes of Kraft and Coca-Cola.

The music that Ljova performs with his Vjola Contraband is deeply indebted to European folk traditions, though you'd be hard pressed to pinpoint a precise origin. Looking a bit like Maxwell Smart talking into his shoe-phone, the bespectacled 28-year old spoke directly into his instrument's microphone-pickup between tunes. But when he mentioned his "strong bias toward uneven meters," he wasn't just talking. The off-kilter rhythms he favors recall the asymmetrical dance beats of central and southeastern Europe, where time signatures tend to look like hat sizes (7/8, 13/8, 15/16). They tug and pull at you in strange and mysterious ways, as do Ljova's melodies, which have the tuneful, emotive quality of good pop.

Occasionally, he makes direct reference to his source material. One as-yet-unnamed tune was inspired by music Ljova heard in Hungary while traveling with his girlfriend, Inna Barmash, lead singer for the Gypsy-klezmer-funk band Romashka....

Back home, he sought to capture the unique rhythms employed in the Hungarian town of Szek, where the dancers appear to have what he jokingly called "a really organized way of stumbling from side to side." Despite the goofy introduction, the tune itself turned out to be a haunting drone-like lament that made me instantly homesick for my wife and child. Pathetic? Yes. But impressive, too - at least on Ljova's part. Music rarely punches my emotional buttons that way. And it almost never makes me feel anything remotely resembling lonesomeness or longing.

The emotion most often summoned by a Ljova performance, however, is elation. His tunes frequently display the kind of driving punch-drunk intensity that typifies Raymond Scott's music -- especially the "Powerhouse" theme that accompanies all of the assembly-line scenes in those old Warner Bros. cartoons. And Ljova's colleagues take obvious pleasure locking into the tricky grooves and intricate parts evident in so much of the band's repertoire.

Ljova repays the favor with beneficence on the bandstand. Given his own considerable skills, the Vjola Contraband could be just a star vehicle for its leader. But Ljova promotes many compositions by fellow band members. He appears to be equally happy backing a bandmate or creating a scene-stealing solo. On those rare occasions when he does grab the spotlight, his performance displays the same rhythmic and melodic flair as his writing. More typically, however, he simply plays lead on a composition then gracefully steps aside. I especially liked the results on "Tango for Patty," a showpiece for accordionist Patrick Farrell, who occasionally threw in some jazzy dissonance alongside his Eastern-European melodic inflections.

Perhaps Ljova's humility came from years spent playing second fiddle to violinists. Or maybe he already knows something that many musicians - and most people in general - only learn later in life: the more you give, the more you receive.

Watch a video of the Enso String Quartet performing Ljova's Bagel on the Malecon at the Library of Congress!

Click here to view!